3rd June 2018 / Alan Moore

Anselm Kiefer, beauty in art and learning to wait

In the 1980’s I worked on an Anselm Kiefer project with the Anthony d’Offay Gallery called Zweistromland, or The High Priestesss. Two massive steel bookcases furnished with books made from one of Kiefer’s favourite materials, lead. They made for an incredible installation. Why were they made? ‘I suspect that the human species – the unique […]

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