16th October 2018 / Alan Moore

The only business model you need: responsibility for The Total

There is a concept called The Total; based around what we take, make and waste. All businesses are faced with costs associated to all three. The Total encompasses ethics, business, production process, products and the world we inhabit. We have an unlimited responsibility for The Total, a responsibility that we try but do not always […]

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14th October 2018 / Alan Moore

Why the practice of craft makes a meaningful life

I was trained both as a typographer, and as a book designer. Both these practices are steeped in craft. So much knowledge required of materials (don’t get me started on paper – colour, transparency, weight, texture – to this today every piece of paper I touch is evaluated – receipts mostly), production processes, typefaces, and, […]

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10th October 2018 / Alan Moore

Why we need a restorative economy

‘Capitalists are capitalism’s worst enemy’, wrote economist John Kay – ‘and particularly the market fundamentalist tendency which has been in the ascendant for the last 20 years.’ Kay adds: ‘Once we appreciate the historical anomaly of the post-war moment, we might see the capitalism of our own day in a proper light. With its imperious […]

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2nd October 2018 / Alan Moore

Millennials. They want the cool thing, and, the right thing.

I asked Dame Fiona Reynolds, a Master at Cambridge University, UK and author of ‘The Fight for Beauty’ – ‘what gives you hope?’ Her answer; “The reason I feel optimistic is because I think young people are amazing and they get this stuff. This is a generation that has got no ticket to the future, […]

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30th August 2018 / Alan Moore

Beauty recalibrating how we make things and why we make them

In 2013 I gave a talk in Holland about the need to redesign the organisations that we use, inhabit and support us, that drive our economies. I spoke for beautifully designed organisations, beautiful workplaces and work cultures, beautifully designed products, stuff. I asked for a return to what I termed the Human-OS. Where the sovereignty […]

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15th July 2018 / Alan Moore

Passage for Par shows our world to be sensual, textured, collaborative

Passage for Par is a dance performance created specially for and presented on Par Beach Cornwall, conceived and directed by choreographer Rosemary Lee for the Cornish International Art Programme GroundWork. At the turn of the tide 30 women will rhythmically snake their way across the tidal landscape, tracing meandering pathways through the wet sand, their […]

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4th July 2018 / Alan Moore

Do Design: 14 practices to create enduring beauty

Because beauty and great design appear to be so effortless, we mistake it to be easy. Or, that genius was bestowed upon its creators by some divine spirit. There is no doubt we all have gifts. But it is only when we practise daily that we develop the capacity to see, design and create work […]

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1st July 2018 / Alan Moore

Speaking about Beautiful Business at the Edinburgh Fringe

I have been invited to speak at the Edinburgh Fringe Festival 15th August 1018. Whitespace, Norloch House, 36 King’s Stables Road, Edinburgh, EH1 2EU Tickets available here. Our Future is Made and Finished in Beauty The human spirit needs beauty and will do anything given half a chance to get more of it. As Emerson […]

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3rd June 2018 / Alan Moore

Anselm Kiefer, beauty in art and learning to wait

In the 1980’s I worked on an Anselm Kiefer project with the Anthony d’Offay Gallery called Zweistromland, or The High Priestesss. Two massive steel bookcases furnished with books made from one of Kiefer’s favourite materials, lead. They made for an incredible installation. Why were they made? ‘I suspect that the human species – the unique […]

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16th May 2018 / Alan Moore

Tashi Mannox, how stillness enhances creativity

In my book “Do Design. Why beauty is key to everything“, I write about Tashi Mannox and the importance of stillness as a key role in how we work. A concept that can be applied to our daily life, I believe. Tashi Mannox had become a Tibetan monk at the age of 22, spending 17 […]

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