13th September 2019 / Alan Moore

Neuroscience and compassion an interview with James Doty

Brain surgeon James Doty is on the cutting edge of our knowledge of the brain and the heart: how they talk to each other; what compassion means in the body and in action; and how we can reshape our lives and perhaps our species through the scientific and human understanding we are now gaining. James […]

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28th November 2018 / Alan Moore

Felt knowledge as experience

Sometimes, we need to feel something rather than analyse it. To feel time, to feel space and place, to feel love and to reflect, to touch and go into nature and revel in the crafting of of something unique. Sometimes we need to be open to a new experience, to take its crooked path to […]

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17th November 2018 / Alan Moore

Dieter Rams: better human, better leader, better maker

“The time of thoughtless design for thoughtless consumption is over” — Dieter Rams. Gary Hustwit writes, “For over fifty years, Dieter Rams has left an indelible mark on the field of product design and the world at large with his iconic work at Braun and Vitsoe. The objects Dieter has designed have touched the lives of millions […]

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30th August 2018 / Alan Moore

Beauty recalibrating how we make things and why we make them

In 2013 I gave a talk in Holland about the need to redesign the organisations that we use, inhabit and support us, that drive our economies. I spoke for beautifully designed organisations, beautiful workplaces and work cultures, beautifully designed products, stuff. I asked for a return to what I termed the Human-OS. Where the sovereignty […]

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15th July 2018 / Alan Moore

Passage for Par shows our world to be sensual, textured, collaborative

Passage for Par is a dance performance created specially for and presented on Par Beach Cornwall, conceived and directed by choreographer Rosemary Lee for the Cornish International Art Programme GroundWork. At the turn of the tide 30 women will rhythmically snake their way across the tidal landscape, tracing meandering pathways through the wet sand, their […]

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1st July 2018 / Alan Moore

Speaking about Beautiful Business at the Edinburgh Fringe

I have been invited to speak at the Edinburgh Fringe Festival 15th August 1018. Whitespace, Norloch House, 36 King’s Stables Road, Edinburgh, EH1 2EU Tickets available here. Our Future is Made and Finished in Beauty The human spirit needs beauty and will do anything given half a chance to get more of it. As Emerson […]

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3rd June 2018 / Alan Moore

Anselm Kiefer, beauty in art and learning to wait

In the 1980’s I worked on an Anselm Kiefer project with the Anthony d’Offay Gallery called Zweistromland, or The High Priestesss. Two massive steel bookcases furnished with books made from one of Kiefer’s favourite materials, lead. They made for an incredible installation. Why were they made? ‘I suspect that the human species – the unique […]

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16th May 2018 / Alan Moore

Tashi Mannox, how stillness enhances creativity

In my book “Do Design. Why beauty is key to everything“, I write about Tashi Mannox and the importance of stillness as a key role in how we work. A concept that can be applied to our daily life, I believe. Tashi Mannox had become a Tibetan monk at the age of 22, spending 17 […]

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22nd April 2018 / Alan Moore

Everyone has a shingle beach. A story about time and perseverance

On the last 100 metres of the English coast before it falls into the ocean is a garden of unique beauty. It existsin an inhospitable place. It’s a garden that lives on the edge of the world. Nature is at her most ferocious — wind blasting the landscape, beating at the shore with salty fists, roasting everything […]

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13th April 2018 / Alan Moore

A quest for truth is always core to the purpose of a poet. Remembering Seamus Heaney

The poet Seamus Heaney was a master craftsman of the English language. He embodied the other important characteristics of craftsmanship: a granite-like integrity and a deep empathy for the world around him. A quest for truth is always core to the purpose of a poet, to seek that which others do not see and to […]

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